From design awards to louisiana crawfish: a week of style shifts
The transition was abrupt, to say the least. One moment, I was navigating the polished halls of a New York design party celebrating the Esquire Home Awards, the next, I found myself immersed in the humid, crawfish-scented reality of a Louisiana family gathering. The pull of crawfish season is undeniable, drawing relatives from across the country – a testament to the enduring power of Southern tradition, even amidst shifting cultural tides.
A mind divided: tailoring and americana
The mental dissonance was striking. My mind lingered on the crisp lines of Edward Sexton tailoring, a stark contrast to the sweltering 80-degree heat and 90% humidity of rural Louisiana. Yet, this very landscape sparked a different kind of appreciation—a renewed fascination with classic Americana. It's a curious collision of aesthetics, a reminder that luxury isn't confined to a city penthouse, but can be found in the enduring appeal of well-made, timeless pieces.
And speaking of timeless, Jacques Marie Mage's latest Last Frontier collection arrived precisely when I needed it. The western-inspired frames, with their intricate engravings and rare metals, felt oddly appropriate amidst the Louisiana backdrop. The brand’s commitment to partnering with Indigenous artisans, channeling funds back to community-driven arts initiatives, adds a layer of ethical consideration that’s increasingly vital in the luxury space. These aren’t just sunglasses; they’re a statement.
While my colleagues at Esquire are undoubtedly immersed in the New York fashion scene—slippers from Tom Ford and Métier bags are the preferred accoutrements for a chic spring—we operate from different spheres. Their luxury is the curated, the cutting-edge; mine is the enduring, the authentic. It’s a subtle distinction, but one that defines the Esquire experience.
Billy reid, boots, and the brotherly advice
The practicalities of Southern living demanded a shift in focus. My brother, an electrician from Georgia and a divorced dad of three, posed the perennial question: “What clothes will make me look good?” The answer, as always, leads back to Billy Reid. The brand’s accessible price point doesn’t compromise on quality or style. A cotton-linen polo—or a seersucker button-up—offers a comfortable, durable solution for a man who prioritizes practicality without sacrificing a touch of understated elegance. I envision him, the best-dressed father in the local bar scene, a testament to the power of simple, well-chosen garments.The polo alone costs $198.
Then there are the boots. A man in Louisiana needs boots, and Tecovas’ collaboration with KREWE is a masterclass in blending Western grit with New Orleans flair. The cactus-colored frames, accented with 18k gold-plated stainless steel, are a subtle yet confident statement.
Beyond the threads: bourbon and a timeless shoe
The week wasn't solely about clothing, of course. Booker’s just released its first 2026 batch, a bold 129.1 proof bourbon that demands respect (and perhaps a single ice cube). And to celebrate Dr. Martens’ 65th anniversary, a special collection of the iconic 1461 leather oxford in sepia-gray has emerged, a nod to heritage and enduring style.These oxfords are priced at $280.
Finally, a reissued classic: Tom Ford’s embroidered velvet Steven slippers, originally gracing Gucci’s Spring 2003 runway, now boldly proclaiming “GRAB ME” across the upper. A collector's piece, a legacy of an era defined by unapologetic confidence and a dash of louche charm. They'll set you back $2,450.
The week served as a reminder: luxury isn't a monolithic concept. It's a spectrum, encompassing everything from the impeccably tailored suit to the well-worn comfort of a favorite pair of boots, the shared traditions of family, and the simple pleasure of a good drink. And sometimes, the most stylish choice is simply showing up.